Senin, 29 Desember 2014

Premium ✪ Access Download Risen Full

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The first forty days after the Resurrection of Jesus Christ is told through the eyes of an agnostic Roman Centurion charged by Pontius Pilate to investigate rumors of a risen Jewish Messiah and locate the missing deceased body of Jesus of Nazareth in order to subdue an imminent uprising in Jerusalem. During Centurion's mission, his doubts of such a supernatural occurrence peel away as he encounters the Apostles and other historic biblical characters and bears witness to the legendary storied events that followed the Resurrection. A great mystery unfolds during Centurion's quest to find the body and he is deeply affected by his first-person investigation, as his previous beliefs on the matter are forever altered based on what he's now witnessed.

About Risen

Artist : Kevin Reynolds, Paul Aiello
As : Tom Felton, Joseph Fiennes, Cliff Curtis
Title : Premium ✪ Access Download Risen Full
Release date : 2016-02-19
Movie Code : 3231054
Duration : 107
Category : Drama, Kids, Family

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Comment For Risen 2016 Aanhangwagen Review

Name : Bill Goodykoontz / Alias : Arizona Republic
It's not especially challenging. But it is several steps up from some faith-based fare, and it will doubtless appeal to its target audience.

Name : Christian Holub / Alias : Entertainment Weekly
Risen is more entertaining than Bible-adjacent stories are usually allowed to be.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Whatever your religious affiliation, you will come away thinking that if all this did actually happen, it probably happened something like this.

Name : Amy Nicholson / Alias : MTV
It's pointed about how we treat today's zealots, as when Clavius likens the pain of crucification to "sucking air through a wet cloth" - a description of waterboarding.

Name : Kyle Smith / Alias : New York Post
A low-IQ affair that supposes that the Gospels will sound more convincing if seen through the eyes of a skeptic. Instead, it seeks to improve the New Testament by putting a layer of Naugahyde upholstery on it.

Name : Adam Graham / Alias : Detroit News
"Risen" was never meant as anything but a tool for the converted. Talk about preaching to the choir.

Name : Peter Howell / Alias : Toronto Star
It's intended primarily for an audience of Christian believers, but genuine drama precedes the preaching.

Name : Ann Hornaday / Alias : Washington Post
Viewers already well-versed in the greatest story ever told might find their interest piqued by the filmmakers' unconventional take. It's unlikely, however, that "Risen" will preach to anyone outside the choir.

Name : Stephen Whitty / Alias : New York Daily News
Reynolds' gets many things right: the blasted look of the desert, the dusty provincial look of a far-flung Roman outpost. And the story he tells is both serious and modest.

Name : Inkoo Kang / Alias : TheWrap
A fairly ambitious picture tailor-made for that slice of the Christian audience accustomed to the tropes and beats of prestige cable dramas.

Name : Katie Walsh / Alias : Los Angeles Times
"Risen" is a fascinating cultural artifact, but as a film, it's destined for no glory greater than as an appropriate cable rerun on Easter.

Name : Colin Covert / Alias : Minneapolis Star Tribune
What a good surprise it was to watch a biblical feature less preachy, less stuffy and more entertaining than most. "Risen" is an original crime-fiction take on a story as old as stories get.

Name : Soren Anderson / Alias : Seattle Times
Fiennes is superb, portraying a man slowly transformed by events that shake his beliefs about the world and his place in it to their core.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
For a film that could have easily become bogged down in Sunday School reverence, or culture-war opportunism, Risen presents an intriguing, oblique approach to a Bible movie.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The film ends up falling into a loop of abortive climaxes, set against an indistinguishable beige-gray backdrop of limestone, before the inevitable cheap-looking flash of CGI light in a scraggly field.

Name : Richard Roeper / Alias : Chicago Sun-Times
Fiennes sticks with the brooding, stoic performance, even when Clavius is undergoing some major changes. It's not his best work.

Name : Michael Nordine / Alias : Village Voice
Despite not doing much more than preach to the choir, Risen is still more nuanced than the lion's share of recent faith-based dramas.

Name : Joshua Rothkopf / Alias : Time Out
It's not often that faith-based films, competing in the same marketplace that rewards action, embrace the deeper, more difficult idea of meeting hate with love, but Risen tries.

Name : Jeannette Catsoulis / Alias : New York Times
If you drink every time you're reminded of Monty Python's 1979 Judean jaunt, "Life of Brian," you might just make it through to the end.

Name : Kate Taylor / Alias : Globe and Mail
The film features a lush historical setting and some satisfying action scenes, but the dialogue is often laughable, a mix of the pseudo-archaic with oddly contemporary lingo.

Name : Jim Slotek / Alias : Toronto Sun
It's nice to finally see the Messiah portrayed by somebody who'd probably get extra attention at a U.S. airport by Homeland Security.

Name : Peter Keough / Alias : Boston Globe
We know how it turns out, but seeing from the point of view of someone who doesn't know and doesn't believe adds more cogency.

Name : Justin Chang / Alias : Variety
Whether or not it triggers a craze for divinely inspired detective stories, "Risen" makes a decent case for itself as the "Columbo" of the genre: It's amiable, creaky and not remotely predicated on the element of surprise.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
While it descends too often into the melodramatic, it's a solid, smart picture and a welcome addition to the genre.

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Sabtu, 27 Desember 2014

Bastards Full Movie Trailer Official 2016

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Bastards Full Movie Trailer Official 2016
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Comment For Bastards Full Movie Trailer Official 2016

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz   triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

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